From Weegee’s crime scenes to Debord’s dérives, Zorn’s rule-based improvisation, and Nabuurs&VanDoorn’s performative mapping, there is a continuous fascination with the city as a site of unpredictability, improvisation, and layered narratives. In all these works, “grasping” the city in its entirety is impossible; the point is to navigate, respond, and engage with what emerges—turning maps, images, and scores into living, evolving experiences.

When human and algorithm collide to co-compose urban memory, place, and performance.