In the gallery at SCOPE BLN, a ten-metre canvas stands in the centre of the space, rising the full height of the room. It doesn’t behave like a painting. It behaves like a presence; leaning, twisting, folding itself around the air. You don’t look at it. You watch it, like you watch a screen, or a fire, or the city at night from a tram window. Something that keeps moving even when it appears to pause.

Anti-painting gestures, we deploy erasure and absence as generative tools. Censor texts, rewrite form; absence speaks. Maps, images, and instruction-based protocols form open systems, activated by performers, collaborators, and viewers alike.

At Nieuw en Meer, Nabuurs&VanDoorn filmed a sunrise over an Amsterdam lake, serene yet shadowed by loss, and transform it into a five-channel, topsy-turvy text-video spelling “d r i f t,” reflecting memory, metamorphosis, and the impermanence of movement.

When human and algorithm collide to co-compose urban memory, place, and performance.

Art as contact zone: Nabuurs&VanDoorn’s Penance and Rehabilitation confronts memory, endurance, and freedom in fractured Europe.

Abstract Resonances explores how Nabuurs&VanDoorn transform archival fragments into living art, reimagining memory, city, and imagination in new ways.

In Memories Between Edges, presented at The Noise in NL=US Gallery, Nabuurs&VanDoorn transform erased travel maps into poetic portals that explore memory, place, and attention as quiet forms of resistance in a world overwhelmed by noise.

Explore the world of Fucked-Up Attitudes, where Fucked Up Objects challenge norms and provoke thought in artistic spaces.

In the Netherlands there is this summer classic on the Telly in which someone with a “special” background is asked to put together their...