Greyzones Revisited shifts attention from retrieval to circulation: to how artworks persist through language, how they disappear without vanishing, how institutions remember through text as much as through objects.

Los Angeles has long operated through projection, not only as image, but as spatial reality. Light settles on surfaces, narratives overwrite land, and futures are rehearsed while the ground beneath them continues to shift. Working along the coastline, where erosion, regulation, and speculation converge, we find ourselves in a transitional phase.